As a screenwriter takes notes from Hollywood executives, her beautiful diverse movie about a black American woman traveling to Mexico, slowly becomes a romantic comedy with an all-white cast. A quirky cerebral look into commercialism and greed, juxtaposed with a heartwarming movie that challenges stereotypes.

Danny, a commercial editor and documentary filmmaker attempts to finish his film, a study on relationship while navigating the relationships in his own life. Will he continue to chase the unattainable Theresa a hippy new age dancer(Caitlin Fitzgerald) or will he finally admit he’s in love with his best friend Carla (Katherine Waterston) who is in an unfulfilling relationship with a political strategist(Gaby Hoffman). Manhattan Romance is a funny insightful look at contemporary life in Manhattan. It explores new age ideas and open relationship as well as true friendship and connection.

Struggling actor Wayne Wenders (Eric Mabius) is comically famous for starring in a low-budget commercial for Irritable Bowel Syndrome medication, a reputation he is hoping to change when he finally lands a starring role in a national root beer ad. But when the paycheck for his big break is delayed, Wayne looks for other options to pay his increasingly late rent and ends up interviewing for a gig teaching Shakespeare at the local high school. Principal Brenda Post (Stefanie Powers) hires Wayne for his natural theatrical talent and enthusiasm, but Wayne is soon surprising himself with his love of the job—and for fellow English teacher Amy (Virginia Williams), who is immediately impressed with Wayne’s passion and his idea to teach the students with an exciting film project. As Wayne’s understanding of teaching develops and his relationship with Amy evolves, he must ultimately decide if his dreams of stardom are really worth sacrificing everything for.

Explore how Florida teenager Jahseh Onfroy became SoundCloud rapper XXXTENTACION, one of the most streamed artists on the planet. Through frank commentary from family, friends and romantic partners, and unseen archival footage, this documentary offers a sensitive portrayal of an artist whose acts of violence, raw musical talent and open struggles with mental health left an indelible mark on his generation before his death at the age of 20.

VIOLET follows “Violet Morton,” a 32 year-old film executive who is living her life listening to this “Voice,” resulting in fear-based decisions. She has made these decisions to avoid potential “worst-case scenarios” in her romantic life, her family life, and her professional life, and they have taken her away from who she really is. She has grown accustomed to this, to not being quite “herself,” and sees nothing amiss, until a friend’s comment makes her realize that The Voice has been lying to her. Her entire life.

As young and recently single parents, Clara and Alex have two completely different styles of parenting. While helicopter mom Clara hovers over her son Oliver, Alex’s daughter Emma feels out of touch with her father’s life. Their two worlds collide when Alex proposes that his marketing company shoot a commercial at the kids’ school and Clara, up for election as the parent group president, objects the idea. The commercial is Alex’s last hope for keeping the company afloat, so in a moment of desperation, he nominates himself for parent group president. In a surprising turn of events, Clara and Alex tie for president and must work together to run the group until the mandated re-vote. The bitter rivals struggle for power, outfoxing each other any chance they get, until the matter of raising their children puts things into perspective. Clara and Alex come to a mutual understanding and even ignite a spark of romance.

This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.

n the history of Romanian cinema, Sergiu Nicolaescu’s name stands for “prolific, highly commercial and professional”. At the age of 80, the director launched his latest production, which is also his second comedy in a long row of action and historic films. “Poker” is a cinema adaptation of Adrian Lustig’s theatre play with the same name, and focuses on four male friends, representatives for the social canvas: a doctor without a moral conscience, an unscrupulous politician, a chief of the local mafia, and a businessman who made a fortune in America. Made by MediaPro Pictures, ‘Poker’ looks at immorality and intrigues in politics, hinting at the fact that contemporary Romania is a day to day jungle where strings are pulled by those in power, so everything turns into a poker round, where those who have the right aces in their sleeve can win.